“Long stigmatized as Carl Jung’s hysterical mistress, Sabina Spielrein (1885-1942) was in fact a key figure in the history of psychoanalytic thought. Born into a Russian Jewish family, she was institutionalized at nineteen in Zurich and became Jung’s patient. Spielrein went on to earn a doctorate in psychiatry, practiced for over thirty years, and published numerous papers, until her untimely death in the Holocaust. She developed innovative theories of female sexuality, child development, mythic archetypes in the human unconscious, and the death instinct. In Sabina Spielrein, Sells examines Spielrein’s life and work from a feminist and mytho-poetic perspective. Drawing on newly translated diaries, papers, and correspondence with Jung and Sigmund Freud, Sells challenges the suppression of Spielrein’s ideas and shows her to be a significant thinker in her own right.” (SUNY Press)
Tablet Magazine's review by the incomparable Phyllis Chesler TabletMag Here.
PRAISE FOR SABINA SPIELREIN:
“This is a pathbreaking piece of research that not only begins to rehabilitate the reputation of a woman patient of Jung’s, but also suggests that Spielrein was an important contributor in her own right to the beginnings of psychoanalysis.” — Carol P. Christ, coauthor of Goddess and God in the World: Conversations in Embodied Theology
“This book is a major, perhaps a definitive, contribution to the literature. Angela Sells documents both the demonization of a great psychoanalytic theorist—mainly because she was a woman and worse still, was once Carl Jung’s patient. The book’s greatest strength is its power to enlighten and inform and in so doing, to arouse indignation and amazement at Spielrein’s brilliance and tenacity.” — Phyllis Chesler, author of Women and Madness
“Written with an insistence and energy that are rare in a book of this kind, the text makes an important contribution to studies of Spielrein; indeed, this is a seminal text in terms of the unflinching and meticulous approach which is taken to refuting a significant body of material that has for some time been engaged in denying full presence to a significant figure in the history of psychoanalysis.” — Oxford University Press, The Year’s Work in Critical and Cultural Theory
(Cover Art by Katie Hoffman)